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You have a story — and BYI shows you how to turn it into a published book. BYI is a studio where you write and publish your book. For beginners and pros, for any genre. You don't need to be a writer — it guides you step by step. On first launch a short tour shows you where everything is — you'll find your way in a minute. Everything in

one window: tools on the left, your books in the middle, the scene you're writing on the right. And it's not just a hobby: self-publishing is booming, and the platforms really pay authors. BYI takes you to a finished book by the hand. First — the editor. Write scene by scene; it counts your words and keeps your drafts. Just sit down and write. Second — your characters. Roles, personalities

and motives always at hand, so no one slips out of character. Relationships show on a map: allies, enemies, secret ties. You always know who's who. The book's world, sorted onto shelves: locations, facts, lore — no need to hold it all in your head. Events line up into a timeline, so the plot never falls apart. Third — the AI assistant. It sees your whole project: answers questions, helps

with characters and world, suggests where to go next. An assistant, not the author — the book stays yours. Fourth — the finished book. A live preview shows exactly how it will look to a reader. You don't need to be a professional. AI doesn't write the book for you — it helps; and with that help authors are already winning top awards. The rest is your story. The hardest

part isn't starting — it's finishing. For every common obstacle, BYI has a ready answer. Your own terms live in a glossary, with definitions and tags: one meaning across the whole book. Trackers follow tension, losses and symbols, chapter by chapter. Plot threads are visible end to end: what's open, and what's already resolved. Search runs across every scene's text — the right spot is found in seconds. When the

book is ready — export to EPUB, PDF and DOCX. Exactly the formats Litres and Amazon KDP ask for. Ten looks — pick the one you enjoy writing in. There's a dark theme too — for long nights with your book. Shortcuts speed everything up: Ctrl+K and you're already where you need to be. The interface is in English, Russian or Turkish. Work in your own language. One project —

a whole series: several books, or one novel in different language versions. And each project's data stays isolated. Your story deserves to become a book. Start now — byi.skynet.com.

The hardest part isn't starting — it's not falling out of the flow. BYI keeps everything you need on one page. Ordinary editors throw you off the page every time you need to note something — and the thought is lost. BYI is different. Here's your scene. A clean page and a comfortable editor — just sit down and write. Need a new character, a relationship, a world note or

an event? Right-click right in the text — and add it without leaving the page. A small window, only the fields you need. Save — and keep writing. The thought isn't lost. Select a line — a colored highlight or a sticky note right in the text, like notes in a manuscript's margin. Scene notes stay close: questions to yourself, ideas, edits for later. A POV checklist helps you deepen

the scene: bodily sensations, hidden feelings, the character's inner contradictions. One key — and everything else falls away. Just you and the text. Ctrl+F — find and replace across the whole scene in seconds. The app reads your text aloud at your pace and counts words toward your daily goal — progress at a glance. Characters, sticky notes, search, focus — all summoned from the page. Saves time, keeps focus,

nothing is lost. Stay in the flow — and finish your book. Start at byi.skynet.com.

A big book lives in its details. BYI keeps your whole world and every character in one place — nothing is lost. Who knew what, when it happened, how the characters connect — in a big book the details slip. BYI remembers for you. Every character — with a role and importance: leads, antagonists, supporting. The whole cast at a glance. Each one gets a deep profile: description, personality, motivation,

sensory signature, hidden truths. Your character never blurs as the book grows. Connections between everyone — on one map: allies, enemies, secret ties. You always know who's who. The world, sorted onto shelves: locations, factions, lore, technology. All at hand — nothing kept in your head. Events line up into a single timeline — the plot never falls apart. Plot threads are visible end to end: what's open, and what's

already resolved. Trackers follow world pressure, losses and symbols — chapter by chapter. Your own terms live in a glossary, with definitions — and drop straight into the scene. Characters, relationships, world, timeline, plot, glossary — one linked system. The world stays whole, and you hold it all in your hands. Hold the whole world in your hands — and finish your book. byi.skay-net.com

AI in BYI doesn't write your book for you. It writes with you and proofreads for you — and you always decide. The assistant sees your characters, world and plot. It suggests — but nothing changes until you press Apply. Four modes in one menu: Chatbot, Ghost Writer, Editor and Graphic Studio. You pick one for the task at hand. The chatbot is the free entrance: ten messages a day

on the free plan — enough to try the AI and see how it works with your book. The heavy modes draw from a monthly pool — the counter is always in view. One AI credit is roughly a thousand tokens, and every button wears its price: five credits per check. Images are counted separately: one image credit — one image. Ninety-five right now. Pricing without surprises: from four dollars

a month. Author at twelve gives four hundred messages, forty images and DOCX export. Now the main thing. We ask the Ghost Writer: create a character — and add his relationship to Ceyda right away. The AI never touches your book silently. Proposal one of two: a new character, every field filled in. Apply or discard — you decide. Proposal two of two — the relationship: Miron is Ceyda's rival.

We apply this one too. Checking: Miron is already in the character list — a real record, not just text in a chat. Open the profile: description, personality, motive — and the Relationships section already shows the link to Ceyda. And a new node appeared on the relationship map. One request — and the whole structure of the book updated. Next — the portrait. Open the tags: style, light, framing.

You choose and press Done. Add an appearance description. The portrait is built from the character's profile plus your tags and description. One click — and Miron's portrait is ready. It cost exactly one image credit. Add to profile — and the avatar is on the character card. …and on the relationship map. The image counter: ninety-five before — ninety-four after. Right-click inside the text — the writer's menu: book,

chapter, scene, character, relationship, world note, event, plot thread, trackers, glossary. World Note — nine categories: locations, factions, lore, technology, magic… A tiny form, two fields. We save the Sluice Tier — and keep writing; the thought isn't lost. Checking: the note sits in World Notes, under Locations. Nothing was lost. Same for a timeline event: title, moment in time, type and description. And there it is on the timeline.

Created from the text — found in the system. The second menu works on selection. Select a phrase, right-click — a sticky note or a color highlight, like the margins of a manuscript. We write a note to ourselves: am I revealing the reason too early? The doubt stays at the line, not in your head. The sticky holds onto the line: a marker in the text, click — and

the note unfolds. Edit or delete — the prose itself is untouched. And a color highlight marks the line right in the text: yellow, green, red. Key passages visible at a glance. The third tool — a footnote: a note to self right inside the text. We write down the question we must not forget. Click the asterisk — and the note opens right by the word: edit or delete.

Now the editing. We write a draft with real mistakes: Ceyda walk, the keys was, the water were rising. Grammar catches all five and shows every fix: before — after, with an explanation. Five credits per check. Apply corrections — and the scene text is already clean. Now prose quality. We deliberately write filler: identical sentence openings, clichés, filter words. QA-QC doesn't flatter: twenty-four out of a hundred, nine findings

— repetition, clichés, filler. Each with a quote and a suggested fix. We revise the scene by the findings: concrete detail instead of clichés, varied sentence openings. Run it again: ninety out of a hundred. From twenty-four to ninety. The scale is real — it measures, it doesn't praise. Now the economics. An editor costs from sixty thousand rubles to six thousand dollars a month. BYI with Grammar and QA-QC

— from twelve dollars. It won't replace a human editor — but your draft reaches them already clean. AI writes with you and proofreads for you — and the book stays yours. Start at byi.skynet.com.

Ghost Writer is the one mode allowed to write into your book. But first it has to earn that right. A new scene, zero words. The blank page is the hardest place in any book. We start here. We switch on Ghost Writer — Full control. Note the Auto toggle is off: every suggestion will go through your consent card. We set a trap: we ask it to write in

my voice — and give it no sample of that voice. It doesn't just write. Instead it opens the intake: nine steps to lock the basics before a single line. A text generator would have written anything. A co-writer asks first. We give it the voice anyway: three paragraphs from chapter one, written by hand. Rhythm, sentence length, vocabulary — it is all here. And it actually listens: I can

hear the rhythm — short declaratives, the stop mid-thought, weight held to the line's end. This is the Launch Wizard — nine steps: idea, reader, character, structure, narration, world, method, rhythm, voice. Step one: the idea in a single sentence. Step two — the reader. Every answer becomes part of the book's brief: from now on the AI writes for your plan, not in general. Nine out of nine —

onboarding complete. Now it holds both your voice and your plan. The real brief: her worry, her goal, close third, one hundred sixty to one eighty words, concrete procedure — and one ban: never say fear. The reply arrives as a card: Proposal one of one — rewrite scene. Nothing has touched the book yet — it waits for your decision. Apply — and the scene that was empty minutes

ago now stands: one hundred sixty-eight words, the word fear never used, the ending exactly as ordered. And the chat keeps the decision on record: delivered to spec. No silent edits. When you are ready to trust it — switch Auto on: small requests land in the scene directly, card-free, with just a notification. One click turns it back off. The economics are simple. A professional ghostwriter runs about a

hundred thousand rubles per book in Russia and thirty-three thousand dollars in the US. BYI — from twelve dollars a month. And it never claims the cover: the book stays yours. The draft is his. The book is yours. Start at byi.skynet.com.

Books don't fall apart from bad sentences — they fall apart from lost pieces. This video is about how BYI holds the structure and loses nothing. The whole book is one tree: project, books, chapters, scenes. You always see where you are and where everything lives. A new chapter is a two-field form. The skeleton of a book comes together in minutes. Checking: Chapter 4 — The Ebb and its

first scene are already in the tree. Create it — and instantly see where it sits. Every scene carries a word count and a status right in the tree. What's done, what's in progress — visible without opening anything. Statuses switch in one click — draft, revision, final — and the badge in the tree updates immediately. Rename: the pencil by the row, type the new name right in the

tree. Enter — and the scene has its new name. No extra windows. Deleted a scene? Look at the notification: Scene deleted — Undo. A mistake doesn't cost you your text. One click on Undo — and the scene is back in the tree. With everything inside it. And this is Scene History: saved versions with word counts — and a Restore button. An old draft can always come back.

Backup: download the whole project as a single JSON file — plain or encrypted — and import it back when you move. Import is not just an upload. We feed it a real file: Chekhov's The Lady with the Dog, over six thousand words. BYI takes it apart: four chapters, a word count for each — and honestly warns there are no scene markers. Below — the premium part of

import. Splitting chapters into scenes is free. And the AI can extract characters, world notes and relationships: each option has its price, the total is counted up front — about thirty-four credits. Nothing runs without your tick. Run it. Done: chapters, six scenes, three characters, eleven world notes and relationships — out of an ordinary Word file, in a couple of minutes. Checking the tree: The Lady with the Dog

is in the project — and Chekhov's text is already in the editor. And Chekhov's people — Gurov, Anna Sergeyevna, Von Diderits — are already in the character list with cards. A manuscript became a living project. Search across the whole project: the word sluice — and here is the scene, the book and the chapter where it lives. In a big manuscript that's seconds. One project holds a whole

series: shared characters and world. Language editions live as separate projects — the data never mixes. The economics: classic writing apps sell just the structure for sixty dollars one-off or up to eight dollars a month — without AI. In BYI the tree, versions, backups and search are in the free plan. Write. The structure will hold, and not a single word will be lost. byi.skynet.com

Novels fall apart quietly: a thread gets lost somewhere. BYI counts the threads for you. Story Trackers: three built-in tables — world pressure, a grief log, symbols. Plus your own. World Pressure is the state of the conflict per chapter: active threats, losses, the key deadline, the atmosphere. We log chapter four: the third wave comes early. And it's a row in the table. Where the tension sags you see

it by chapter, in numbers — not by gut feel. The Grief Log: who mourns, what was lost, how it felt at once — and in which chapter the character finally processes it. In long novels this is exactly what slips. The loss is on record: access to the night shifts, chapter two — processed in chapter four. Symbols: the brass key — from tool to evidence. One card holds

the object's whole arc. The symbol card sits in the table with an appearance counter. The meaning stops drifting across the text. Built-ins not enough? Plus — and your own tracker: a name and an icon. No template walls. Water Level is already its own tab next to the built-ins. Your table — your rules. A character's emotional arc: chapter, emotion, bodily symptoms, the unconscious defense — down to bioluminescence,

if that's how your world works. Points on Ceyda's arc: composure in chapter one — contained alarm in chapter four. The arc is visible, not guessed. And the character's personal timeline: event, time, type. What Ceyda knew — and when. The event on her personal timeline: receives the brass key, year one. Who knew what and when — no longer an argument with yourself. The economics: a developmental editor —

the person who tracks the threads — runs two to four thousand dollars per novel. BYI's trackers are in the free plan. They won't replace the editor — but the threads reach them already counted. Write boldly: the threads are under control. byi.skynet.com

Graphic Studio: panels inside the text, covers and export — the book becomes an edition in the same place where it's written. The studio is open: project, book, scene — and six drawing styles on top: realistic, manga, watercolor, oil, sketch, comic. The style applies to the whole book. Generate images opens the panel wizard. Up to ten in one run: the counter on top, and for each panel —

which paragraph it lands after. Below, honest arithmetic: ten panels, ten credits. We take two: the first after paragraph one, the second after paragraph two. Charge: two credits. Then a separate screen for every panel. Panel one: the context paragraph on top, and you pick tags — light, shadows, framing, detail. And a short description of the shot. Write in any language — before generation it's translated to English automatically

for the best quality. Panel two — its own paragraph, its own tags, its own description. And the button changes: Generate images. Done: the panels sit in the text, each after its own paragraph. Hover over one — download, regenerate, delete. Book preview: nine trim sizes, page-by-page turning. The Covers button opens the cover studio. Description, style, tags — and Generate. The rule is honest: no text is drawn on

the cover, you add the title yourself. Before charging, the system asks again: Generate image? This run uses one image credit. Not a single credit leaves silently. Don't want to generate? Upload your own image: the file is chosen — just click Save. PNG and JPG are accepted. The result in preview: the generated front cover is the first page, full bleed, without a single letter. And the back —

from your own file — closes the book. Generation and upload are equal citizens. Export: markdown and text are free; DOCX, PDF and EPUB are on paid plans. We downloaded markdown and PDF for real — the files are in Downloads; with several files the browser asks permission. The economics: a professional cover runs eight hundred eighty dollars on average, fantasy around eleven hundred. In BYI a cover illustration is

one credit, your own file is free. It won't replace a designer — but concepts and drafts now cost almost nothing. Panels, covers, export — the edition comes together where the book is written. byi.skynet.com